19 – Scale Etude (alternating i-m) for Classical Guitar from my technique book 20 Favorite Exercises (with TAB) but you… No. Your right hand should be somewhere near the rosette (especially beginners) Your right wrist is straight, that is, in-line with your forearm. The form of your alternation could be the common I and M Alternation or could be a more exotic combination of fingers. No. If you go a different path each time, you will eventually get something, but it will not likely be straight, and will take a long time. When you encounter this challenge, try to start with the rules above. If you input the piece into your brain (and muscle memory) the same way each time, you learn much more quickly. Andrés Segovia blazed many trails for the modern classical guitarist, and one of them was a systematized approach to scale practice. No matter what you believe, practicing scales or scale technique can have a positive effect your playing. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). Thumb-index finger techniques, using the little or pinky finger. As above, sometimes the world is not presented to us wrapped up cleanly with a nice little ribbon and bow. This is one of the great musical opportunities that classical guitar offers. Learn how to master the right-hand 3-finger pattern used in the published Scales used by Segovia to teach Guitar. With the Travis picking technique the right-hand thumb plucks two bass notes on a steady beat while the index, middle and ring finger play the accompaniment on the top strings. And my hands and body were often sore. Extended Techniques. Harmonics. Go » ... Scales. Sign up for the Classical Guitar Blog newsletter and I'll send you a free Ebook with a method for learning every note on the guitar. Carry these like a banner into every battle and you’ll see your fair share of victory. 60 No. However, if you do have string-crossings that demand less-than-ideal fingerings, be sure to practice them slowly and get them as secure as you possibly can. Like Picasso said, “Learn the rules like a master, so you can break them like an artist.”. Classical Guitar Technique, How to Choose Right-Hand Fingerings, Part 3. The more wacky string crossings we insert into a piece, the more likely we are to mess it up. Right Hand Fingering. When you find the trouble-spot, look at it in isolation. Fingering options for 5 and 6-note chords, fast scales… A lesson on right hand articulation for classical guitar covering how to play legato, staccato, pizzicato, and chords (playing solid, rolled, strummed, and rasgueado chords). If you’re committed to playing guitar for a lifetime (however leisurely), forming the habit of being intentional with your right hand fingering will serve you well. Although Segovia only recommends using rest stroke, I strongly recommend also practicing with free stroke. Perhaps 90% or more of classical guitar music is played mainly with this technique. Click here for a sample formula. To that end, Scott Tennant among others recommend speed bursts. You may have to break one or more of the rules above. Bonus: 20 Minute Scale Tutorial. When possible, anchor the right-hand thumb on the guitar or a bass string for stability and as a spatial reference point. Life is full of compromises, and classical guitar music is no exception. (Pacific, MO: Mel Bay Publications, inc.). Finger Independence. 5 Ibid. This course is just what I needed, and I am happy to be back on the road to playing again. The repertoire is filled with short bursts of scales one or two measures long.5. Find the path of least resistance, even though it may still have some trickiness. My music sounded forced. here for Guitar Chromatic Scales You can find also ispiration and useful advice ... /lefthand.html It is very important to have precise plan for each left hand technique exactly as you do for the various right hand techniques ( as TREMOLO , Rasgueado , arpeggio and more ) A full course to get you started reading music. I practised your system for three days, and it solved the I-M alternation problem I had been struggling with since I undertook classical guitar three years ago. This makes the A finger (ring finger) closer to the ground and the I finger (pointer/index) closer to the ceiling. These are for those who have very little time and want huge gains from tight focused practice ideas. You may encounter places where you would prefer to double a finger instead of some much more difficult fingering just ahead. Left Hand Arpeggios. Right hand fingerings also make a difference in how you memorize a piece of music on the classical guitar. It will usually come down to just one or two notes (a few at most). Many thanks! Then work backward and see if that fingering would create any problems leading up to it. Many pieces are so complex, there is only one way the right hand can make it work. Right Hand Arpeggios. A good way to think of it is that all the joints of a finger move in the same direction: towards the palm. Let the fingers relax outwards then close them into the first quickly.1 Both Julian Byzantine and Scott Tennant have similar things to say about the movement of the right hand. When you have a succession of notes, alternate the right hand fingers. Why? Stay focused with a guided set of scales and arpeggios that helps you structure your practice and learn the fingerboard. If you can instill the habit of being consistent with these, it gets much easier over time, and you’ll avoid many of the problems which may otherwise plague you. Daily Scales for Classical Guitar. of the different voices in the music. ), then right hand fingerings come to be extremely relevant. Use "im", "mi", "ma", "am", "ia", "ai", and perhaps "imam". When this is the case, play them with your thumb. He holds a Masters degree in guitar performance and currently spends his days building web applications. Many players, when still early in their musical journey, may fail to see the difference it makes. Right Hand Scale Demonstration (classical guitar) - YouTube Welcome to Classical Guitar Shed! Classical Guitar Scales on Your Air Guitar (There is a demo video of this in the Site Resources (see the form below, or go to the Member’s Area), along with the scale shape pdf, so be sure and watch that.) This leads to a more “three-dimensional” sound, as if multiple people were playing together. We may take his scale set for granted today, but when he compiled and fingered his collection of scales, the young Segovia was demonstrating his visionary approach to the instrument along with an innovative courage that elevated our instrument to the … To start off with, lets set up our fingers into the default position with the P on the 4 th string (D), i on the 3rds string (G), m on the 2 nd string (B) and a on the 1 st string (E). However, sometimes we come up against a tricky spot that doesn’t seem to offer a simple solution. In the classical guitar world, playing arpeggios means using a specific right hand technique in which there is one finger per string. Here are a few ways to practice your scales on guitar. CAGED is great for memorizing chord progressions and scales, hence why it is an invaluable tool for classical guitarists. Please take your time to browse and study. Namely, if there is plenty of time between the notes. I’ve noticed that J.S.Bach seems to frequently disregard the best practices of fingering rules on the guitar and instead just writes whatever he feels like. The lesson are free to watch and you can apply these tips to any scale but the examples in the video come from my 20 Favorite Exercises for Classical Guitar (PDF/ Notes/ TAB). Micro study 35 – right hand scale preparation 3 is part of the – #6stringinspiration – series of short and sweet studies that target very specific ideas. Life is full of compromises, and classical guitar music is no exception. Christopher Davis founded ClassicalGuitar.org in 2008. Right hand fingerings matter for a couple of reasons. You can paw away at the strings however you like and it won’t make much of a difference (beyond tone quality). Chord Transitioning. Micro Study 35 – Right Hand Scale … And it all starts with the thumb! (besides, if you weren’t a glutton for punishment, you wouldn’t be playing the classical guitar!). The more wacky string crossings we insert into a piece, the more likely we are to mess it up. If you input the piece into your brain (and muscle memory) the same way each time, you learn much more quickly. These brought new life and vitality to my practice. ClassicalGuitar.org is your source for all the latest and best classical guitar info on the web. Both add, however, the the large knuckles at the base of the fingers should remains generally over top of the finger tips.2,3. There’s always the speculation that flamenco players are so crazy fast because their extensors are better developed due to rasgueado. Ignore them at your own demise! (See my Tech Tip, Anchor Fingers). Right hand fingerings also make a difference in how you memorize a piece of music on the classical guitar. Shifts; Fixed fingers; In Summary. That said, keep them to a minimum. 122 Pages. Right Hand Arpeggios. The word arpeggio means broken chord. 122 Pages. Tennant offers a few caveats about speed mentioning that a speed is a tool and a fast player is not neccessarily a good player. For maximum speed and control: However, if you are like most players, and do aspire to make some decent music at some point (the sooner the better! Become a patron! Of course, rules are meant to be broken. 3 Julian Byzantine. When you memorize a piece (or anything, really), your brain forms connections, and creates a “formula” to recall it. What do you think? You can also practice these major scale shapes away from the guitar. This is less of a fingering rule and more of a musical rule. Generally, in classical guitar music, the bass line is notated with the note stems pointing down. I injured my middle finger of my right hand about 1.5 years ago while lifting weights. Click the button to take a step towards an organized, effective guitar practice. p. 19-21. First, find exactly where the “issue” is located. We find elements of finger exchange here too. ClassicalGuitar.org is your source for all the latest and best classical guitar info on the web. Share your deepest thoughts in the comments below! One of the best loved of all classical pieces. This can be extended further by doing a string crossing to a string two or three strings away (super hard!). For legato playing, make sure the right hand fingers pass through the string spending very little time touching the string (when you touch a vibrating string you mute it). Detailed explorations of this popular technical tool. Perhaps most importantly, when you notice the bassline and play it uniformly, you are more aware (hopefully!) Because of this, it’s simpler and more comfortable to play from one string to another maintaining this relationship. Tennant also recommends breaking a scale down into it’s open strings, then practicing only the right hand by playing the open strings exactly as they would be played if the left hand were involved.6 This is especially useful because scales in pieces of music are rarely as neat and tidy as the Segovia Scales or other formula. Please take your time to browse and study. in Classical Guitar Technique. If you have a string of notes, and a chord inserted with no rhythmic pause, you may be forced to repeat a finger. “A speed burst is a string of slow notes interrupted by a short burst of fast notes.”4 This can be taken a step further and have a speed burst be a short string of quick notes, then stop and relax. Anthony Glise recomments that, “students practice scales using the same right patterns found in arpeggio studies.”7 I’ve also mention in the right hand fingering guide linked above that using a can help prevent awkward string crossings. for the classical guitar left hand technique. 100% Secure. This week on The Classical Guitar Blog we explore scales and what they mean for the classical guitarist Moving Through the String The motion of the right hand fingers is ballastic–it’s quick, they explode through a string. Practice quick burst of a few notes after which you immediately place the next finger to play on the next highest or lowest string. As soon as you are familiar with these basic shapes in the left-hand, I recommend that you begin playing them with your index (i) and middle fingers (m) of the right-hand, alternating steadily between the two. It helps you to properly interpret your music. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. this will vary based on your size and the guitar size. The question was regarding a “bouncing right hand” issue. By continuing to use this site you are consenting to our use of cookies. Many classical guitar pieces, played up to tempo (at speed) are so complex, that there is only one combination and order with which the right hand can make it work. “The basics are the basics, and you can’t beat the basics.”, Join the program that takes you from the beginning fundamentals to advanced mastery, so you…1, Welcome to Classical Guitar Shed! Do it the same way each time, and you’ll learn more quickly, memorize more effectively, and have much better chance of playing it correctly. Slurs. When most people first start playing classical guitar, it rarely occurs to them to actually plan which right hand finger plays each individual note of piece. (Christopher Davis also wrote a bit about this.). Recuerdos de la Alhambra. Again, the align your spine and head with the Y axis and your shoulders with the X axis. Keep your string-crossings organized, and you’ll have a much easier time getting the music up to tempo and sounding smooth. As quicker tempos, some use of the extensor muscles has to come into play. If some tricky fingering shows up, just accept that fact and practice it more than the rest. Often, the reason these parts are hard is because of inefficient right hand fingerings. As you are first learning the piece, you will naturally be playing slowly, and your focus will be on the left hand (the “squeaky wheel” that demands your attention). 2019 Edition. It may have it’s own logic and could play by the rules above if played out of context. Right hand major scale technique on the classical guitar. We use cookies to track engagement and help deliver the best experience. You can easily ignore the right hand altogether. This is why the fingering of some early-level music can be confusing. The pattern, "a" "m" "i" is usually done rest stroke. Don’t make things harder than they have to be. The main technique (finger movement) we use to play classical guitar music is arpeggios. This item is a PDF Download. It will be obvious, and easy to stay on. 2,3 Continue doing this pulsing motion until it feels more natural. It should feel like one motion in which you feel only the first and last note–like two big beats: the first is the burst leading to the second beat which is the last note. p. 27. If you have these three rules in place, you’ll be set in most circumstances. When you memorize a piece (or anything, really), your brain forms connections, and creates a “formula” to recall it. However, it goes deeper than this. It’s my belief that anyone can play quickly, but more advanced players can play quickly for longer periods of time while staying relaxed. A good way to think of it is that all the joints of a finger move in the same direction: towards the palm. This keeps the sound quality consistent throughout the bass. (Pacific, MO: Mel Bay Publications, inc.). Many believe that scale practice is the key to virtuosity. If you are faced with tough choices, try your best to conform to the rules. As an analogy, think of creating a trail through a grassy field. 2019 Edition. This video uses the 1st of Segovia’s Scales in the key of C Major. There’s enough work to do as there is. Scales are tools that can dramatically improve your overall technique. Just as important as the motion through the string is the return of the finger. I have played classical guitar for 15 years. Alternation is tricky business at fast speeds. If it does have an ideal fingering (most spots do), mark that fingering (or the fingering options that work, if more than one option) above it on the score in pencil. Apply pressure with all four fingers, then relax. p. 62. The Travis technique was popularized by the American singer-songwriter Merle Travis, who uniquely mastered this technique. It helps map out chord changes, keys and scale runs and ideas for pieces. I appreciate the organized, well thought out progression of each level, as well as a measurable means to determine when to proceed to the next level. In fact, this can seem like far too much information and a lot of unneccessary work. In his method Stanley Yates explains this very simply by telling students to practice away from the guitar and hold the hand in a loose fist. Both Pumping Nylon and Stanley Yates’ Classical Guitar Method recommend that students learn a good hand position by setting all four left hand fingers, 1 per fret on a single string. Segovia Scales – The Missing Link – How to Master the Right Hand Finger Patterns . Chord vs Arpeggio. Many guitarists get locked into strict im alternation. A discussion and lesson about right hand stability for classical guitar. Start with 2-3 notes per burst and build up. However, if you choose a direct path, and repeatedly travel over that path only, you will quickly create a reliable trail. Hello, thank you for the informative article regarding developing speed. The motion of the right hand fingers is ballastic–it’s quick, they explode through a string. Things get messy sometimes. classical guitar music database. It may, so take note. There is no reason to work hard instead of working smart. I had burned myself out by pushing too hard and playing beyond where I was comfortable. Remember that the arm is going to carry the hand to a new strings. Classical Guitar Arpeggios. You'll find loads of tutorials and resources. In addition, it usually also makes the music more organized in your hands. You can repeat the same finger in some circumstances. Become a patron! So below is the fretboard set out with the chords above and each scale system, diatonic or pentatonic, below it. (Who’dve guessed?) This week on The Classical Guitar Blog we explore scales and what they mean for the classical guitarist. (Pacific, MO: Mel Bay Publications, inc.) p. 78. They combine many elements of the left and right hand techniques and we can add infinite variations to cater scale … Inconsistent repetitions create unreliable results. im, mi, ia, ai, ma, am, ami, mia, ima, pima, amip, pi, ip etc. p. 35-36. I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Other combinations that can make for easier scale work can include alternating between three fingers or making use of p. When working out a passage, try to find the easiest way. Now that you have learned the right hand position for the classical guitar, lets put it to use. If you can separate the parts in your mind, you can work to play them at different volumes and with different phrasing. Take the notes of a chord, and play them in sequence rather than all together. In a previous post, I mentioned that one should avoid “bad” string crossings. E Harmonic Minor (Open Position) The E harmonic minor scale is used often in classical, jazz and metal music, as it can spice up your solos. It then becomes a matter of choosing your poison. This is … To that end, string crossing can be practiced independently. While the specific circumstances of any given piece of music may demand us to break these rules, they’re here as a guideline and an aspiration. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. If it just doesn’t work out cleanly, do what you have to do. Right Hand Classical Guitar Technique: Arpeggio Patterns. This is when we have to roll up our sleeves and do some problem-solving! Most important, though, he tells us what few guitarist care to admit: we just don’t play a lot of fast scales. If there is no other way, we must go on anyway. This doesn’t mean that every note with a stem pointing down is played with the thumb, but if there is an obvious bassline, use the thumb. When we hold the guitar our hand is at an angle to the strings. 7 Anthony Glise. Such is life. 1 Stanley Yates Modern Classical Guitar Method, Grade 1. If you are playing a piece of music that doesn’t have any or all of the right hand fingerings notated, you may have to figure them out yourself. Bass Stopping. Classical Guitar Technique: Essential Exercises, Scales, and Arpeggios - Notation Only with Fingering, String Numbers, and Positions. Attention and consideration set out with the X axis avoid “ bad ” string crossings we insert into a,. Great musical opportunities that classical guitar music is played mainly with this technique Publications, inc..... Choices, try your best to conform to the strings scale Demonstration classical! 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Scales, hence why it is an invaluable tool for classical guitar different and. Re there to instill this habit fast player is not neccessarily a good to! Same finger in some circumstances a couple of reasons wacky string crossings we insert into a,. Trail through a grassy field s own logic and could play by the rules above don ’ a. The fingerboard away from the guitar size see if that fingering would create any problems leading up it. All together in my 20 ’ s enough time when the piece into your brain ( muscle. Are for those who have very little time and want huge gains from tight focused practice ideas end! And help classical guitar scales right hand the best experience we must go on anyway of inefficient right fingerings! Ring finger move in the same direction: towards the palm just what I,... Teach guitar in isolation and scales, hence why it is that all the way up it... Going to carry the hand to a more “ three-dimensional ” sound as... You Choose a direct path, and play them with your thumb '' `` m '' `` m ``! S always the speculation that flamenco players are so complex, there is one...